Philip Nai: Ghana’s creative industry needs structure, not just talent

It is why talent alone is not translating into a fully structured, globally competitive creative industry.

Over the years, we have held conversations on royalties, intellectual property, artiste management, investment frameworks, media governance, distribution pipelines, and the long-term future of Ghana's creative economy.

South Korea built its global entertainment dominance through disciplined training systems, structured label environments, calculated export strategies, and long-term cultural investment backed by both private enterprise and state support.